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・ Caroline Steffen
・ Caroline Stevermer
・ Caroline Still Anderson
・ Caroline Stoll
・ Caroline Street
・ Caroline Street (Cardiff)
・ Caroline Street (Key West)
・ Caroline Sturdy Colls
・ Caroline Subijano
・ Caroline Sunshine
・ Caroline Swift
・ Caroline Taylor
・ Caroline test
・ Caroline Testman
・ Caroline Theobald
Caroline Thielo
・ Caroline Thomas
・ Caroline Thompson
・ Caroline Thomson
・ Caroline Thorpe
・ Caroline Tillette
・ Caroline Todd
・ Caroline Todd (Green Wing)
・ Caroline Townshend
・ Caroline Townshend, 1st Baroness Greenwich
・ Caroline Tran
・ Caroline Trentini
・ Caroline Tresca
・ Caroline Trettine
・ Caroline Truong


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Caroline Thielo : ウィキペディア英語版
Caroline Thielo

Caroline Amalie Thielo (1735–1754) was a Danish actress, one of her country's first professional native female actors, and said to be the first actress ever employed at the Royal Danish Theatre in Copenhagen. She was very popular in the mid 18th century, and was also employed as a translator of plays for the theatre.
==Early life and career==
Born child of the organist Carl August Thielo (1707–1763, the founder and first director of the Royal Danish Theatre), she debuted at the age of twelve on the temporary stage at Læderstræde, where her father's troupe had performed since 1747 after public theatre was once more made legal in Denmark, and until the building of the Royal Theatre was finished in 1748.
Thielo was considered to be the leading interpreter of mistress, heroine and girl's parts, and became very popular. Among her roles was Agnès in ''Fruentimmerskolen'' by Molière, and Isabella in ''Don Ranudo'' by Ludvig Holberg. Amongst the plays she translated for the theatre were ''Deucalion'', and ''Pyrrha'', which was performed in 1753. As with many actresses of this age, she was considered to be a prostitute; this was a common view in this period, as it was considered indecent of women to expose themselves in public, and Caroline Thielo, being young, beautiful and unmarried, was particularly exposed to this – the novelty of female actors drew people to the theatre; it was said that many people came there just to see the women on the stage, who were considered very exotic.

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